In a way this is a biblical reference, yes. But in a more real way, it’s about finding your place of peace in a hostile world. In the MOST real way, this is a song that I wrote after Chris and I had discussed his suggestion for the album title?Skeleton Coast?and once we kinda settled on that, it was really inspiring to me. The inception of the notion of the skeleton coast into this sheaf of songs, as well as the idea to title the album?Skeleton Coast, both Chris’s, but we both work back and forth and, I THINK, respond to each other’s thoughts and words and vibes until we wind up with a record of cohesive tunes that are coming from the same team soul. This was my “YO! I’m all in on this concept” offering. Also, Chris’s solo in the interlude has this vaguely twisted but otherwise classic vintage vibe that gives me the creeps in the absolutely best possible way, and his whimsical “aaaaahs” under the bridge before the last chorus…Quite possibly my favorite vocal performance on this whole album.
You never expect your record about the impending apocalypse will actually release when the entire world is on fire but that’s where The Lawrence Arms find themselves. On July 17th, Chicago’s finest return with Skeleton Coast – the trio’s first collection of new material’s since 2014’s impressive Metropole. It’s been a long six years since then and the new record reflects that – as a creeping dread is felt throughout its fourteen tracks (as opener “Quiet Storm” bluntly puts it, “Listen closely: Some horsemen are calling. Lay back, the night sky is falling”). Skeleton Coast is a wild ride featuring the best work of the band’s career. I spoke with bassist/vocalist Brendan Kelly about recording Skeleton Coast in the middle of the Texas desert, being inspired by the Beastie Boys and Outkast, and how this record is the perfect record for this unprecedented times.Read More “Brendan Kelly of The Lawrence Arms”