In a statement, Busch noted that the decision to drop the case was made by the band.
“My clients are very sympathetic not only of Juice WRLD’s death,” Busch said, “but also needed time to decide whether they really wanted to pursue the case against his grieving mother as the personal representative of his estate.”
Juice WRLD has the number one album in the country this week:
Juice WRLD’s?Legends Never Die?makes a smashing debut at No. 1 on the?Billboard 200?albums chart, capturing the largest week of 2020 for any album, as it earned 497,000 equivalent album units in the U.S. in the week ending July 16, according to Nielsen Music/MRC Data.
The set registers the largest streaming week of 2020, and the fourth-largest streaming frame ever for an album.
Travis Barker confirmed in a new video interview that a Blink-182 and Juice WRLD collaboration will be coming out soon. He also announced the band’s new song “Quarantine” will be out shortly, and that the band are trying work on a new EP that could be out by the end of summer.Read More “Travis Barker Confirms Blink-182/Juice WRLD Collaboration”
First of all, we were as shocked and saddened by Juice WRLD’s death as everyone else. It is a tragic loss to his family, his fans, and to the music world at large, and we understand why people may be confused about the decision to continue with this lawsuit. My clients are certainly torn about proceeding, and understand the optics involved. But it is important to remember that this lawsuit was filed before this tragic event, and was filed because all of the defendants (and there are 2 other writers and several music publishers and record labels), profited off of what we believe was clear copying and infringement of Yellowcard’s work. We have an expert report making that clear. So while they are absolutely aware of how this may be perceived, and truly have incredible mixed emotions, the question is whether it is fair that all of those many parties profited, and will continue to profit, off of what my client’s believe strongly was their work. We should also mention that it has been falsely reported that Yellowcard is demanding a specific amount of damages. They are simply seeking what the law allows, and what parties in their position have sought in similar cases, which at this point is not determined.
Today, the pop-punk band filed a motion to extend the amount of time parties for Juice Wrld and his co-defendants Taz Taylor, Nick Mira, and the two labels Juice’s is signed to—Grade A Productions and Interscope Records—have to respond to the complaint filed against them. The original due date for the defendants’ response to the lawsuit was Dec. 9, but now they have until Feb. 4, 2020.
Chris Eggertsen, writing at Billboard:
According to a complaint filed Monday (Oct. 21) in U.S. District Court in California, former Yellowcard members William Ryan Key, Peter Michael Mosely, Longineu Warren Parsons and Sean Michael Wellman-Mackin allege Juice WLRD and his collaborators copied “melodic elements” from their 2006 song “Holly Wood Died” for the rapper’s blockbuster 2018 single without permission. They’re asking for damages in excess of $15 million and a “running royalty and/or ownership share” on all future exploitations related to the song or, alternatively, statutory damages “for each act of copyright infringement” and for defendants to be “permanently enjoined” from exploiting “Lucid Dreams” in the future.
Yellowcard’s attorney, Richard Busch, issued a statement about the lawsuit in which he explained, “This was not a lawsuit the guys wanted to file. They put all of the parties on notice a long while ago and gave them every opportunity to try to resolve it. That notice was pretty much ignored leaving them with no real choice. As alleged in the Complaint, this is not just a generic Emo Rap song, but is a blatant copy of significant original compositional elements of Holly Wood Died in several respects. Beyond that, everything we have to say is in the Complaint.